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Winter '93 |
OUR MISSIONFILMLOOK, Incorporated will be widely accepted as an innovative provider of a fast way to achieve a film appearance on video-shot productions without film and its high cost. The FILMLOOK process came onto the scene in 1989 and received its patent in 1990. In 1992 FILMLOOK received an engineering achievement award from the Academy of Television Arts & Sciences. FILMLOOK will continue to maintain a leading edge on video image technology. Achieving our vision requires an exceptional growth that will be carefully planned to secure FILMLOOK's high quality of service and look.
We strive to have an exhilarating team environment in which each can derive great satisfaction. We also take pleasure in fulfilling our obligations to owners, investors, suppliers, and the communities in which we live. Our goal is to continue to make FILMLOOK a revolutionary technology that will lead to more cost-effective productions that will generate more business for those in the television industry. ON AIR...WITH FILMLOOK |
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"The John Larroquette Show"
"Beakman" is using FILMLOOK's patented system for a second year of informative, humorous, and often off-the-wall explanations on how the world works. With equal parts of Mr. Wizard, MTV, and Wayne's World, "Beakman" manages to combine entertainment and information in a way that educational and parental groups for quality television praise and cite as a model for ideal children's programming. CBS has picked up the once syndicated program that is also shown on the Learning Channel. |
Beethoven wins an Emmy Nod. "Beethoven Lives Upstairs" is available at Blockbuster Videos.
Bud Sports project coordinator and producer Jim Duff chose recording in video and processing in FILMLOOK over 16/35 mm film. |
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FOCUSING ON FILTERS AND FILMLOOKCamera filters are one of the most cost-effective and creative tools available to the image making industry. They add impact to a scene and flatter actors. Most filters will work for video with FILMLOOK as they do for film. Since many dramatic productions require diffusion, cameramen want to achieve a look that softens a subject without significantly affecting image sharpness. Depending on subjective requirements of a program, care should be taken with lighting and exposure as the video gray scale is altered to simulate the density curve of film. Low contrast filters should be considered such as the double fog or white Pro-Mist to lighten shadows inconjunction with appropriate lighting. The double fog filter is a combination of light fog and a low contrast filter. It creates a soft glow from highlights such as lamps or window lit interiors. Many FILMLOOK projects have been successfully shot with a Pro-Mist filter. The Tiffen 1/2 Pro-Mist filter will provide a slight diffusion and smoothing effect without the appearance of a filter. This takes the brittle, hard-edged look off video and provides a mild reduction in contrast and compliments the FILMLOOK process. A polarizer filter will improve overall color saturation (especially a blue sky) and haze penetration in bright outdoor situations. Tiffen Corporation is considered the most common provider
of professional filters after being in business 55 years. For
free information call their toll free number 800-645-2522. For
other information on filters and video image quality refer to
the American Cinematographer Video Manual. |
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